Guidance Owl and Copic Techniques

Thanks to the lovely day off, I’ve been able to finish off my Guidance Owl drawing:

Guidance Owl by Jess Lingley

Guidance Owl by Jess Lingley

I enjoyed doing the sky the most, but doing the snake with little dots of color was great too. I employed that type of “stipling” technique a lot: with the snake, the grass, and the walls. The image is sort of split in half: light versus dark, day versus night, heaven versus hell, and the owl sits in the middle. I paid close attention to the nuances in color, which are visible in a higher-res version of the drawing at Deviantart (though it’s still a cellphone pic). I’m feeling good about this and am ready to tackle the third and final owl of the series!

After absorbing Naoko Takeuchi’s work I was inspired to start looking up traditional manga techniques. I think I’ll take a separate post to elaborate on what I found, but while I was doing my research I found a few youtube tutorials on COPIC coloring from an artist by the name of Ocean-chan. To blend, she start with a dark color, then goes in with a lighter color, then uses a mid-tone to blend the two. It’s different than what I do and very intriguing to watch. She also uses tons of layers, and I’m curious what kind of paper she uses since my COPIC paper only absorbs ~5 layers or so before looking blotchy. Anyway, take a look at the video below to watch her draw:

 

 

Have a good (and hopefully long weekend everyone! I’ll be posting again on Monday, for those with computer access during the holidays.

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