It started with me seeing colorful fashion photography that immediately caught my eye and inspired me. Back in January I bought a huge (24″ x 36″) canvas with no project in mind, and it wasn’t until April that I began laying down the first sketch. Now, I’ve finally finished the most ambitious painting I’ve done to date! VOILA!
I learned so much through the process of this painting along every step of the way. When sketching, don’t use pencil that’s too dark. When working on the under-painting, be careful to keep layers transparent and thin so there won’t be ridges of paint left over. Give yourself a break every half an hour or so to stretch or your back will hate you. If you’re stuck on something, sleep on it. The list goes on and on.
Throughout the painting, to help keep myself on track, I made lists of things left to do or things I needed to fix. As I finished those things and crossed them off the list, I could see how much progress I was making. I could have spent forever fixing things and trying to make them perfect; this painting is riddled with imperfections, but the point of this painting was not hyper-realism. In fact, the differences and imperfections are what help make the painting mine (as much as a painting studied from a photograph can be). I wanted to paint something huge, something colorful, something where I could learn more about skin tones, anatomy and fabrics. I wanted to challenge myself.
This painting felt like a “final project” in a lot of ways. I spent the past few years studying and preparing a portfolio to get into art school (first day is tomorrow!) and this is the culmination of all the self-discipline and things I taught myself. My favorite parts to work on were the faces and background fabrics, and the parts I like least were the hands and the dress in the middle.
With this painting now hanging in our living room and off my easel, I feel like I can go to school with a (mostly) clean slate.
Happy Labour Day!