Spring Has Arrived!

It’s official; I survived my first year at NSCAD! It’s a huge relief to have some time off, but it’s also bittersweet, because many of the foundation students will now go their separate ways. Some will transfer to other schools, and I won’t see them again. Others, I will be seeing much more of, since we’ll be taking a lot of the same classes. It’s been an intense and wonderful ride, and I look forward to all the fun that next year entails, including lots of painting, illustrating, and some printmaking, too! In the mean time, starting in July, I’ll be dedicating some time to one of the biggest influences I had growing up, graphic novels, through a history course.

Now that I’ve met all my school deadlines, I’ve had time to look at some of my own projects, and started by updating my Deviantart page with a few of my stronger pieces from the semester.

Modern Surreal Vitruvian Man by Jess Naish Lingley

Modern Surreal Vitruvian Man by Jess Naish Lingley

This was my final project for my drawing class. The concept was pretty open-ended, allowing us to use many of the techniques we’d learned over the past few months. After a few days of mulling over various ideas, when making coffee one morning I came up with the idea of using a master drawing that would allow me plenty of space to express myself. This led me to choose the infamous Virtuvian Man by Leonardo da Vinci (bonus round: I completely the drawing on his birthday!).

Over the course of this class I most enjoyed working with ink, something I hadn’t really given any time to before, so it’s the main medium in this work, both with brush and pen nib. Despite only having a few short days to work on it between all my other final projects, I’m very happy with the way it came out. Working with pen nibs was interesting and something that I will likely revisit in the future.

Beach at Dusk by Jess Naish Lingley

Beach at Dusk by Jess Naish Lingley

This illustration began a few weeks ago when, on a whim, I decided to give my wacom tablet some love, instead of doing my homework. Four hours later, I was assured of my xmas purchase and discovered a new love of digital painting/illustration. After finishing my final projects, I was able to finish it off and upload it. It’s not perfect; the line art is a bit messy since I started it in GIMP, which wasn’t giving me great quality lines for some reason. The software wasn’t as intuitive as I needed it to be, so I tried switching over to Photoshop Elements and had a much easier time of things. Though I’m still working on anatomy and creating decent backgrounds, I feel like my new knowledge of color really shows through here, along with my love of painting. I had a lot of fun using dusk-like colors and will continue to challenge myself with these colorful atmospheres in future works.

It’s strange, since I didn’t enjoy working with the Cintiq as much as I enjoy working with my simple Bamboo and laptop. I’m enjoying digital illustration now a lot more than I was a year ago; perhaps my mindset has changed? My new-found love of digital art prompted me to pre-order ImagineFX’s Digital Painting issue, which I will use to bolster my newbie digital art skills over the summer. I’m not sure how much digital technique I’ll be picking up at NSCAD, so I’m hoping this magazine will be a good starting point. I know there are a lot of things I could probably be doing faster/easier, which is one of the great benefits of digital coloring. That, and no mess to clean up!

Perspective, Loomis-style

Perspective, Loomis-style

With my time off, I’m studying Figure Drawing, For All It’s Worth by Andrew Loomis. I want to try and drill myself on anatomy and perspective as much as I can this summer, after all the years of drawing I missed out on after my college stint. I definitely have some catching up to do. Loomis is tough stuff, but if I can learn his basics and strengthen my knowledge of perspective, I can basically do anything. Just by mapping out perspective lines and very basic figures, he can easily build an entire complex drawing. Once you’ve got the foundation down, the rest just seems to fall into place. Getting that foundation down, though, is very tough to get right. It wasn’t until I started studying his proportions that I realized how far off some of my own (from imagination) were.

In short, I’ve got my work cut out for me! There are so many things I want to catch up on this summer. Between all the art I want to do, and the movies I’d like to catch up on, I’ll have plenty things to stave off the boredom. I’ll also have more time to update my precious blog, so stay tuned for more progress reports, and posts on inspiring artists!

Clay Shells & Summer Decisions

My first year at NSCAD is gradually drawing (hahaha I’m so clever) to a close! It’s been a bit of a blur, especially the first two months of 2013, but it’s been fantastic. For all the financial short-comings of the school and the several threats of faculty strikes, I couldn’t love this school more. I think the feeling is mutual among a lot of the other foundation students. Being around creative people all day is a dream come true and endlessly inspiring. This summer will be the first in memory that I’m not desperate for, since it’ll mean no classes. Well, that’s not completely true; I compromised by taking a history credit later in the summer.

I have so much to look forward to next year, including: painting, illustration and print-making (relief and screen-print). I chose these courses to help shape my style as an artist. Rather than sticking exclusively to painting, I’m wetting my feet in a few other drawing-driven mediums for my 2nd year. After that though, I intend to apply all of that to the mountains of painting courses I’ll be loading up on. Anyway, I should move on since I could talk course choices forever…

Clay Shells (you can hear the ocean) by Jess Naish Lingley

Clay Shells (you can hear the ocean) by Jess Naish Lingley

Modeled Forms has been a great challenge for me; I’m so used to thinking in terms of how to render forms on two dimensional planes and this class really forces me to think outside of that. We’ve worked with clay, wax, soap and will be moving onto plaster and pewter soon. Making the above shells was satisfying; we used the theme of “play”, and I thought immediately of the three-shell game. Obviously my idea evolved a bit from that, since the game requires each shell to be the same. I went for a more tactile-oriented theme, and these shells are really nice to hold in your hand. There are grooves and rivets to fit your fingers into, and you can even hear the ocean if you hold them up to your ear! Glazing was a really fun process as well since it’s so unpredictable.

wooden box in progress, getting ready to do inlays

wooden box in progress, getting ready to do inlays

The second half of my shop class focus on wood as opposed to metal. It’s much more precise and planning oriented, which was a bit stressful at first. We’ve taken wood basically from the tree and “trued” it to form the above boxes. Mine is still far from done. I’m planning an inlay in the top with an exotic wood. Unfortunately, I don’t think I’ll be able to make my sketch book designs work with it, but I’ve a simpler idea in mind, so it’s all good. I liked this class from the get-go, though it’s likely due to my upbringing. Wood working has been in my life ever since I can remember, so going to wood shop and smelling the saw dust is like coming home, in a way.

self indulgent homework by Jess Naish Lingley

self indulgent homework by Jess Naish Lingley

I haven’t got much to post at the moment for drawing, but it’s certainly not for lack of work. A lot of what I’ve been doing has been very large scale (22″ x 30″, sometimes double that) and done with messy media (pastels and charcoal). I’ll need some time to get decent photos of these works, but in the mean time here’s a snippet of last week’s homework. Studying master drawings is something we do quite a bit, but I’m torn about it. Reproducing master drawings is a great educational tool, but I end up feeling sort of guilty afterwards because even if it looks good, it’s not my idea. I use it strictly as a study tool. In order to understand anatomy it’s sometimes necessary to copy figure drawings, and if that means I’ll be able to draw them eventually on my own, I’m all for it.

Lastly, I’ve made an important decision regarding my summer break over the last few weeks. It’s time for me to start building myself as a professional artist and illustrator, and I intend to do this full time over the summer. I could work full time at a retail position of some sort, and financially it would probably make more sense, but I strongly feel that if I want to succeed in this field I need to start now rather than when I graduate. I’ll be buckling down for some serious studying this summer, both to improve my painting and drawing skills and begin digesting the business side of everything. It’s the path of most uncertainty, but it’s calling to me and I can’t resist. With this career, I need to pay closer attention to gut instincts and go with them, rather than ignore them and do what’s “right” or what’s easier.

Onwards and upwards to a bright and exciting summer!