Spring Has Arrived!

It’s official; I survived my first year at NSCAD! It’s a huge relief to have some time off, but it’s also bittersweet, because many of the foundation students will now go their separate ways. Some will transfer to other schools, and I won’t see them again. Others, I will be seeing much more of, since we’ll be taking a lot of the same classes. It’s been an intense and wonderful ride, and I look forward to all the fun that next year entails, including lots of painting, illustrating, and some printmaking, too! In the mean time, starting in July, I’ll be dedicating some time to one of the biggest influences I had growing up, graphic novels, through a history course.

Now that I’ve met all my school deadlines, I’ve had time to look at some of my own projects, and started by updating my Deviantart page with a few of my stronger pieces from the semester.

Modern Surreal Vitruvian Man by Jess Naish Lingley

Modern Surreal Vitruvian Man by Jess Naish Lingley

This was my final project for my drawing class. The concept was pretty open-ended, allowing us to use many of the techniques we’d learned over the past few months. After a few days of mulling over various ideas, when making coffee one morning I came up with the idea of using a master drawing that would allow me plenty of space to express myself. This led me to choose the infamous Virtuvian Man by Leonardo da Vinci (bonus round: I completely the drawing on his birthday!).

Over the course of this class I most enjoyed working with ink, something I hadn’t really given any time to before, so it’s the main medium in this work, both with brush and pen nib. Despite only having a few short days to work on it between all my other final projects, I’m very happy with the way it came out. Working with pen nibs was interesting and something that I will likely revisit in the future.

Beach at Dusk by Jess Naish Lingley

Beach at Dusk by Jess Naish Lingley

This illustration began a few weeks ago when, on a whim, I decided to give my wacom tablet some love, instead of doing my homework. Four hours later, I was assured of my xmas purchase and discovered a new love of digital painting/illustration. After finishing my final projects, I was able to finish it off and upload it. It’s not perfect; the line art is a bit messy since I started it in GIMP, which wasn’t giving me great quality lines for some reason. The software wasn’t as intuitive as I needed it to be, so I tried switching over to Photoshop Elements and had a much easier time of things. Though I’m still working on anatomy and creating decent backgrounds, I feel like my new knowledge of color really shows through here, along with my love of painting. I had a lot of fun using dusk-like colors and will continue to challenge myself with these colorful atmospheres in future works.

It’s strange, since I didn’t enjoy working with the Cintiq as much as I enjoy working with my simple Bamboo and laptop. I’m enjoying digital illustration now a lot more than I was a year ago; perhaps my mindset has changed? My new-found love of digital art prompted me to pre-order ImagineFX’s Digital Painting issue, which I will use to bolster my newbie digital art skills over the summer. I’m not sure how much digital technique I’ll be picking up at NSCAD, so I’m hoping this magazine will be a good starting point. I know there are a lot of things I could probably be doing faster/easier, which is one of the great benefits of digital coloring. That, and no mess to clean up!

Perspective, Loomis-style

Perspective, Loomis-style

With my time off, I’m studying Figure Drawing, For All It’s Worth by Andrew Loomis. I want to try and drill myself on anatomy and perspective as much as I can this summer, after all the years of drawing I missed out on after my college stint. I definitely have some catching up to do. Loomis is tough stuff, but if I can learn his basics and strengthen my knowledge of perspective, I can basically do anything. Just by mapping out perspective lines and very basic figures, he can easily build an entire complex drawing. Once you’ve got the foundation down, the rest just seems to fall into place. Getting that foundation down, though, is very tough to get right. It wasn’t until I started studying his proportions that I realized how far off some of my own (from imagination) were.

In short, I’ve got my work cut out for me! There are so many things I want to catch up on this summer. Between all the art I want to do, and the movies I’d like to catch up on, I’ll have plenty things to stave off the boredom. I’ll also have more time to update my precious blog, so stay tuned for more progress reports, and posts on inspiring artists!

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Jumping Into Digital Art

A few days ago (on a Wednesday night, surprisingly) my new Wacom Create tablet showed up! Once it was installed I had to give it a test run:

Wacom Doodle

Wacom Doodle

This tablet has pressure sensitivity, but unlike the Cintiq I had access to earlier this year, it doesn’t detect tilt-motion from my wrist. To be honest, so far I don’t miss that aspect of the tablet, and really love how lightweight and mobile it is. I don’t even mind the fact that it’s not wireless. It feels very similar to what a sketchbook is like, and instead of hunching down over it, I’m looking up at a screen.

I’ve been trying to gather resources to build a nice “digital workspace” for myself. This includes going through the art magazines I’ve purchased over the last few years and copying the resource CDs that came with them, to scour them for content. Many magazines, ImagineFX in particular, have downloadable tutorials and brushes in each magazine. Every so often they’ll have some really beautiful art inside and I’ll pick one up. Now, I have a chance to take advantage of the Photoshop brushes and tutorials they offer.

While going through one of the tutorials, I learned that some artists use 3D software to simulate models to use as reference. What a brilliant idea! My next thought was, what software should I use to do this? 3D software can get pretty expensive and can be very complicated to learn. After some research, I came across the Daz 3D Studio software. To my surprise, it is freely and legally available right now! This will be hugely useful when trying to come up with realistic lighting and anatomy references! I was skeptical at first since it seems too good to be true, and was afraid it would end up being trial software, but found an article explaining why the devs decided to make it free. They have customization packages that you can buy to add-on to the software, but on its own it’s more than enough to give me anatomy reference. They have landscape modelling software I’m going to look at as well.

This brings me to the next part of the workspace: software. There are so many programs out there for digital artists, so which one is the best? The answer to this greatly depends on what kind of art you like to do, and who your audience is. While I was researching different software online, including Corel Painter and Easy Paint Tool SAI, I found this Fur Affinity forum thread. A user by the name of Arshes Nei compares sketching and painting in 6 different pieces of software, results shown below. It’s highly educational and totally worth checking out!

Apple Still Lifes by Arshes Nei

Apple Still Lifes by Arshes Nei

Paint Tool SAI has become very popular as of late because it’s a lightweight piece of software (in comparison to Photoshop and GIMP which can be resource hogs, and slow down your computer) and is relatively easy to find. I’m going to play around with that a bit, keeping in mind that when I eventually get a Macbook (way down the road when I stop being a poor art student), I’ll have to switch to something else since there’s no Mac version.

Armed with references and painting software, I should be ready to go! I was drawing in my sketchbook when the tablet first arrived, so I may start off by translating the sketch to the laptop…

I’ll end this post with my Foundation Computer final project. We used Adobe Illustrator frequently in that class and I fell in love with vector drawing. Our final project for the class was to do an animation, any way that we wanted. I used Illustrator to draw the frames and put them together in iMovie. I recommend watching it in the highest resolution available on Youtube’s website. Enjoy!