Homework homework homework, but also a show!

Since I arrived back to school in January, things have been extremely hectic! I’ve had a ton more homework to sift through than I did last semester, and hardly any time to catch a break in between projects.

One of the reasons I’ve been so busy is that on top of school work, shortly after I submitted those pieces to the Pre-Shrunk show, I was asked to submit a work for an upcoming art show in February about cats. How could I say no to that?! I spent some time researching my subjects beforehand since I don’t draw or paint a lot of wildlife. Thankfully, I have two little fur balls I was able to use for reference (and there are now a copious number of cat pictures on my new phone, oh no!). After several quick preliminary sketches, I got to work immediately. I took roughly three weeks to complete the painting in between school work, and got to show it off at the opening for Cat Person last night.

Mocha & Java: A Modern Portrait by Jess Lingley

Mocha & Java: A Modern Portrait by Jess Lingley, 16″ x 20″ acrylics on gesso’d cradleboard

I’m quite happy with it! Painting the fur was quite challenging, but I looked at a book from the local library for help. It’s a great book for painting wildlife in acrylics and gives great tips on palette set up and acrylic techniques. Silvers’ paintings are stunning. I’m so thankful for another opportuniy to show work at Argyle Fine Art, especially beside so much other beautiful work from the Cat Person show: check it out on their Flickr site!

It was very challenging to balance everything, but I’ve made it through to winter break in one piece. Though all of my classes are pretty intensive, Design has been the most challenging so far with multiple assignments due each week.

Design homework with Gouache on Mylar.

Design homework with Gouache on Mylar.

I’ve enjoyed the graphic design element of it the most, though I don’t think I’ll be studying it in degree form. Fine Art gives me a lot more expressive room than I would ever get with design. Besides graphic design, I got to dabble a bit in product design with a group project. I’ve never done anything like that before and it was an eye-opening experience. It’s very rewarding to take a project from a simple sketch to a full three dimensional working model.

Product design group project results.

Product design group project results.

The most rewarding class (aside from my favourite: Drawing II) has been metal shop. I went from not knowing the first thing about steel to cutting, bending, twisting, forging and manipulating it to make a final project.

Fun in metal shop.

Fun in metal shop.

It's all coming together...

It’s all coming together…

The shot directly above is blurry because my hands were shaking when I took it. Shop has been pretty physically exhausting, but coming home after working hard all day is a great feeling. I’m working on something practical for the apartment; given the shapes above, can you guess what it is? I think my favourite part of shop is welding. It’s really similar to soldering, but the filler is part of the welding torch so you can hold onto what you’re doing instead of trying to criss-cross materials with both hands. It’s a great feeling to weld stuff together! Just don’t weld it to the table you’re working on… :: cough cough ::

And then there’s Drawing II. Aaaah drawing, let me count the ways that I love thee.

Cavernous pepper by Jess Lingley.

Cavernous pepper by Jess Lingley, 22″ x 30″ graphite on mayfair.

This study ended up being a really relaxing one, despite the amount of detail I put into it. It was really rewarding to be able to chip away at it an hour or so at a time, and have a really interesting finished product. I chose this pepper to draw in a macro fashion, because it you look closely enough at it, it becomes abstracted and looks like something else. I thought of alien eggs in some kind of cavern.

Ink wash landscape by Jess Lingley.

Ink wash landscape by Jess Lingley, ~11″ x 15″ inkwash on stonehenge.

This class introduced me to ink as a way of drawing. At first, I found it pretty unforgiving, but if you work in washes it becomes beautiful. For this assignment we studied atmospheric perspective (how things get lighter as they get further away). I wish I’d had more time with this, because I found myself having a ton of fun with it. When separating a landscape into soft layers (and working with a decent sketch of course), it becomes a lot less daunting. Starting with light washes and slowly going darker, the drawing really comes to life.

Skeleton Study of Adam & Eve by Albrecht Durer.

Skeleton Study of Adam & Eve by Albrecht Durer, 22″ x 30″ charcoal and ink wash on stonehenge.

Having just finished the Cat Person painting, I wanted to put a little extra effort into my drawing homework, since I’d not been able to do my best for the past few weeks. Drawing is a class I really want to bring my A Game to, because I’m going to go on studying it and painting at a higher level. I love drawing dearly and want to do my best with it! For this assignment, we had to use a master drawing as a study. I cheated a bit and chose an etching by the amazing Albrecht Durer, entitled Adam & Eve (NSFW nudity). I was absolutely taken with the etching when I saw it, and couldn’t find another drawing that compared.

I’ll admit that I was perhaps a little over-ambitious, but I’m really happy with the results! By this point I’d fallen in love with ink. I used it to simplify the background a bit and discovered that it blends really nicely with charcoal. I could have easily doubled the amount of time spent on this, but I’d already put way over the homework requirement  of time on it, and had other homework left to do. I will definitely be using ink wash and charcoal more in upcoming projects, but also look for more color work of mine during the second half of the semester.

I can’t believe I’m already halfway through this semester! It’s been quite a blur with the amount of work I’ve had to do, but I feel like I’ve already accomplished so much this year! I look forward to Modeled Forms and Wood Shop, coming up after the break. Until then though, I’ve got some final projects to get through and maybe even some personal ones. I’m going to a few figure drawing work shops that are offered next week as well, so I’ll have lots to keep me busy. We’ve been doing a lot of figure studies in Drawing which is awesome, since I’m trying to get as good as possible at drawing the figure from my imagination.

Cheers, all!

Exciting News!

In the spirit of kicking off 2013 with a bang, I’m very excited to announce that I’ve been accepted into Argyle Fine Art’s Pre-Shrunk show! This will be my very first time having work shown in a gallery! INTERNET HIGH FIVES!

Pre-Shrunk at Argyle Fine Art

Pre-Shrunk at Argyle Fine Art

Ahem. Last fall on one of my visits to the gallery, I spotted a call for artists for this show. Pre-Shrunk is a show of 4″x 5″ works both from new and established artists. The goal is to make affordable art available to everyone. The fact that it was open to all artists caught my eye immediately, and I figured, why not? I was especially intrigued by the small canvas size, which was ideal since I wouldn’t have to dedicated large blocks of time to it in between school work. Nothing to lose by trying, since every painting I do helps me grow.

This will be an incredible opportunity to have my work seen by the public, and to play meet ‘n greet with lots of other artists in the HRM. I’m beyond psyched to have gotten in and can’t wait to attend!

Eye Shadow by Jess Lingley

Eye Shadow by Jess Lingley

This is one of three paintings I submitted to the show. All three are acrylics on canvas board, 4″ x 5″. They were very fun to paint! It was a little restricting to paint that small, but at the same time it was very rewarding to finish a piece so quickly. When trying to come up with an idea for what to paint for this show, I was a bit stumped. Fortunately I received an early xmas gift of some colorful items that instantly inspired me! All three paintings feature elements that I really enjoying rendering, from shiny reflective surfaces, to bright colors, to pretty things.

Come on out from 7pm-9pm on Friday the 25th of January to Argyle Fine Art in downtown Halifax to see my work! I’ll be hanging around for a bit as well, taking in all the other amazing art that’s bound to be on display. See you there!

Tones & Values in Painting

I’ve realized recently that one of the areas I need to work on the most in painting is tone and value. Color value is the lightness or darkness of a color and is relative, depending on what colors surround it.

It’s easier to deal with value in color as opposed to black and white, because there is a larger range of values to work with. When doing a black and white painting or drawing, value becomes much more important since all you’re working with are shades of white and black. The painting below was the second painting I did at school and was extremely tough to get through. The mix of textures in the still life set up for us, ranging from smooth to rough, fuzzy to shiny and everything in between, provided an interesting challenge.

Greyscale Still Life by Jess Lingley

Greyscale Still Life by Jess Lingley

Just FYI, yes, the statue head’s eyes were crooked! It was trolling me the entire time. D:

I enjoyed painting the different textures and choosing a composition. However, when it came to putting tones down, I really struggled.  With acrylics, we were told not to paint a light color over a mid-tone or dark color because the lighter color would lose its luminosity, something I’d never considered before. This would lessen the overall contrast of the painting and flatten it. Since I’m used to laying it on a bit thick, I had to be a lot more careful and it made the process more tedious. We also had to mix a particular tone and apply it all over the painting, rather than working on one item at a time. This helps unify the painting and keeps things from popping out and looking strange.

The worst part of the painting was mixing a grey on my palette, and having it look completely different on the canvas because of the shades of white and black surrounding it. To show you what I mean, take a look at this greyscale from an About.com article on Tone & Value. This article explains tone and value quite well, definitely worth a read.

Tone Is Relative to Other Tones

Tone Is Relative to Other Tones

The first vertical stripe in the above picture appears to get lighter as it goes down the image; it doesn’t. It’s all the same color, but depending on where you look at it on the picture, it’s lighter or darker because of the surrounding shades of grey. The second stripe is the same, appearing to get lighter as it descends the page but is in fact the same shade the entire way down.

One of the things I’d like to do to get better at tone-matching is to paint a tone-map of all my acrylic colors. It’d be nice to have some swatches of paint to hold up to whatever I’m painting, and then put them on the canvas without trying to second-guess things.

The other tricky thing with acrylics, especially when using just black & white, is that sometimes they dry darker than what they look like when wet. Since that project, I’ve taken to mixing colors a bit lighter than what I think I’ll need. I’ve also started painting from light to dark, because it’s easier to paint over light colors than paint light over darker colors.

I learned a lot from this exercise. If you paint thickly (but not impasto) and study tones really carefully, when you move far away from the painting the tones will blend together to give the illusion of depth. Almost all the paintings in my class looked much better from far away. This is one of the reasons it’s so important to get up and away from your work!

I would like to give black & white still life painting another try. I’ve also seen examples where artists will add a tinge of color to the mix, and it produces some really interesting effects. In fact, even the different between Titanium White and Zinc White (first is a cooler white than the second) makes for a distinctive look.

2012 Wrap-Up

This year has been a significant one for me for many reasons.

  • I applied and got accepted to two art schools.
  • Went on a 2-week road trip with Tim and went to places I’d never been before, including New Hampshire, Boston, New York, Niagra Falls, Montreal and old Quebec.
  • I quit my safety-net tech support job, moved away from home with my husband and started a new life in Halifax.
  • I started attending NSCAD for my BFA and began fulfilling my childhood dream of attending art school!

If you’d told me five years ago that I’d be doing this, I’d have told you that you were insane. But, here I am, and I’m so happy to be here!

This year I did a lot of drawing and painting, especially in the latter half of the year. Here are the first and last pieces I’ve completed in 2012.

Assess Your Personality
by ~soulexposed on deviantART

Yummy Yummy
by ~soulexposed on deviantART

Though 2012 has been a great year, there’s more I want to accomplish in 2013:

  • Have my art shown in a gallery setting (I’m working on this one and should know in a few weeks whether or not I’m in!)
  • Improve my painting skills as much as possible, specifically by studying more anatomy and concentrating on different light sources. I bought James Gurney’s Color and Light: A Guide for the Realist Painter for xmas, and it’s full of ideas and knowledge for me to use. I’d love to get my paws on his other book, Imaginative Realism, and might crack and buy it soon. The reason I like these books is that they teach how to paint things that don’t exist, realistically. They focus on the study of form and light to bring life to imaginary subjects. This is what I want to be able to do with my work; come up with fantastical ideas that I can bring to life through wondrous paintings.
  • Complete my 1st year at NSCAD. Since I have no intentions of leaving this should be fairly straightforward, but I’m adding it to my goals anyway because it’s always nice to have at least one thing to cross off, confidently. 🙂 This semester will be full of classes where I use my head and hands: design, modeled forms, constructed forms, wood & metal, and of course drawing. I’m hoping that building things with my hands will give me a better understanding of forms, and help me draw and paint them more confidently.
  • Sell some more of my art! It makes me sad to see pieces I love collecting dust or hiding out in my studio space, so, likely in the summer, I’ll have a nice big art sale. I would also like to start doing commissions! I’m going to start thinking about how I want to set it up, and come summer time, will start advertising to the world. I’ve got a Wacom Bamboo create on the way to help with this. It’s not an Intuos or Cintiq, but I used them at school and fell in love with them. It’ll also be a giant help to Tim when he edits photos.
  • Figure out a way to update this blog during the school year. This might mean stock-piling post ideas when I have down time so I can spread them out during the busy times. Still working on this one.
  • Stop buying new art supplies and use what I’ve got! I’ve got every kind of paint imaginable, books, and I bought tons of canvases when Michael’s had their boxing week sales, so I should be good to go from here on out! (Excluding school supplies, boo hoo)
  • Keep my chin up even when it’s tough. There have been some rough patches, like getting settled into the new living space and adjusting to a new city, but even when the schoolwork load got rough I made an effort to remember why I’m here. I’ve been fortunate enough to have the chance to follow my dream, and I can think of nothing I want more in life. Full speed ahead!

It’s been a really great year, filled with change and new adventures. Here’s to 2013!

Cheers! ^_^

Finished My First Semester!

Last Wednesday was my official last day of classes! I’m so relieved that I have some time off to recuperate and enjoy the holidays, but I enjoyed myself immensely and can’t wait to see what semester #2 has in store for me!

These last few months have gone by fairly quickly, but I had a lot of work to push through in that time. I’ve got almost more material from my first semester than I had putting my art school portfolio together. Drawings, paintings, prints, writing papers… I’ve been very busy! The great thing about the subject matter at school is that it all ties together. I used an idea from a computer project in my final drawing project, and used illustration skills in a computer project, for example.

It would take forever to describe each and every piece I did, so I’ll post a few of my favorites over the next few weeks. I recently updated my deviantart page with some new art while applying for a scholarship, so here are a few from there:

Self-Portrait 2012
by ~soulexposed on deviantART

Gouache Color Study by ~soulexposed on deviantART

Linocut Sugar Skull by ~soulexposed on deviantART

I haven’t had a lot of time to collect outside material for this blog, and I’m just now catching up on my Google Reader, tumblr and pinterest. Between that and some upcoming personal projects, I’ll have plenty to do over the break! Anyway, I wanted to share this Jen Mann painting video I came across on tumblr yesterday.

Jen Mann- Speed Painting from Wolf & Sparrow on Vimeo.

She’s using my favorite colors, pink & blue, so naturally I’m in love with this piece! She paints with her work flat on the wall, using a photo reference, with oils. It’s very interesting to see how small she works right off the bat, rather than putting down blocks of colors and working over top of them. She blends each section of the face beautifully. Also worth noting is that she paints in a very planned-out way, from the top left corner to the bottom right. It was very educational and inspiring watching this painting come together.

I think that’s enough for now. Stay tuned, as I hope to update several times a week while I’m on break, and maybe even stockpile some posts for when I’m back in school in January.

Cheers! 😀

The Charming & Exotic Oils of Tatiana Suarez (nsfw)

Tatiana Suarez‘s exotic paintings are filled with elements of nature and beautiful dreamlike creatures, all blended with rich oil paint.

Leopard - Oil on wood 2011 by Tatiana Suarez

Leopard – Oil on wood 2011 by Tatiana Suarez

The eyes of the girl above are hard to ignore. While they’re large and pretty, the bags underneath them give her a jaded and cynical expression. The creature around her neck, a combination of lizard and snake, is drawn to her floral tattoo. Despite this she seems comfortable, almost starting to smile.

Kooka Burra, Oil on Wood 2012 by Tatiana Suarez

Kooka Burra – Oil on Wood 2012 by Tatiana Suarez

I really like the composition of this painting, with flowers growing up from the bottom and a bird’s feather framing the girl’s head. All the different elements of this work flow seamlessly together. Tatiana mixes a more tattoo-style art, with thick outlines and flat shading, with a more realistic method of painting best shown in this girl’s lush pink lips. The light source in this work is particularly interesting with the backdrop being a glowing pink, and the light against her face being warm yellow.

Suki - Oil on wood 2008 by Tatiana Suarez

Suki – Oil on wood 2008 by Tatiana Suarez

Tatiana’s paintings are a strange cross between pinup-style models and cartoon characters. The exaggerated facial features and her rich palette of nature-esc colors give her subjects a twisted fairytale vibe. As I mentioned earlier, there looks to be a lot of tattoo inspiration in her paintings but she’s pushed it a step further, giving her subjects far more depth. Again, the background in this piece is luminious and beautiful, almost like a landscape that’s out of focus.

Miami 2011 Tati x 131 (by Tatiana Suarez)

Miami 2011 Tati x 131 (by Tatiana Suarez)

She doesn’t limit her work to canvases; she does murals as well! Her work seems suited to larger surfaces where she’s free to add as much detail as she wants whether it’s flowers, creatures from the forest or elements of the sea. She’s also able to push the painting further out than a normal tattoo-sized piece would allow. The blue details in the back really make her pink and orange tail stand out on the wall. I like that, rather than ignore the pipe on the wall, she’s painted right over top of it. The art takes over this space.

Boyrá - Oil on Machete 2012 by Tatiana Suarez

Boyrá – Oil on Machete 2012 by Tatiana Suarez

This is the first time I’ve seen a machete used as a painting surface; what a unique idea! I really like the psychedelic color palette used here. Complimentary colors of pink and green are balanced by her flowing neutral hair. Working on a surface like this really forces you to be aware of your space, and to be careful of your composition.

Tatiana Suarez has a definite style that she’s able to use to explore a lot of different themes, and her website has tons more to look at. Her style is a kind of jumble of illustration, tattoo and cartoon which makes for very interesting pieces to look at and admire.

On Nudity & Sexuality in my Blog & the Art of Daniela Uhlig (nsfw nudity)

First of all, I want to say thanks to my readers, because I was recently told by WordPress that I officially have 100 followers! I hope that everyone is still enjoying the blog! I’ll do my best to keep it up during school, because it’s important to me to keep inspired and to keep writing. This blog has been largely about narrowing down what things in particular inspire me and what things I want to focus on as an artist. Over the past year I really feel I’ve made progress on this.

I’d like to follow up by quickly discussing nudity and sexuality in regards to my posts. To dismiss a piece of art because the subject matter is sexual or relates to fetish is a huge mistake and something I refuse to do. I’ve been a bit hesitant on posting nudity or sexual content in this blog because I don’t want to offend readers, but at the same time I need to be true to myself and to what inspires me.

Sometimes inspiration comes from landscape, sometimes from kittens, and sometimes from leather or fur or skimpy clothes or nakedness. I’m not ashamed to be inspired by any of those things and so I’ll be honest on this blog and feature them. The skill required to properly render a fairly-realistic nude body is impressive, and there’s nothing more beautiful than the human form. That being said, I realize some of you are reading my posts at work so I’ll tag & title any nudity or sexual content NSFW – Not Safe For Work, so that you can bookmark and read later. 😉 Now, onto your regularly scheduled blog post!

Daniela Uhlig’s art is a fun digital mixing of caricature and sexuality. Each of her subjects are carefully styled, from hair to eye shape to accessories, to create images that draw the viewer in with characters that seem to tell stories through the paintings. Daniela does a lot of pin-up & sexual work,  showcasing the female body and playing on sexual imagery without being overly vulgar.

by Daniela Uhlig

by Daniela Uhlig

The juxtaposition of angels wings against her punk-inspired shaved head drew my attention and makes me want to learn more about this girl. The simplicity of her styling (minimal makeup or accessories) and painting’s soft color palette create a relaxing atmosphere.

by Daniela Uhlig

by Daniela Uhlig

The triptych framing is an interesting choice for this image. The colors and patterns in the background help draw attention to the girl and tentacles. It’s definitely a pin-up inspired piece and the tentacles are a little worrying (trust me when I say not to google image search them…) but it’s a fun and colorful image, and I like it anyway.

by Daniela Uhlig

by Daniela Uhlig

There’s more of a graphic design feeling to this work. The style is more flat and cell-shaded while the background is full of patterns. Artists that have a style that’s recognizable across mediums seem very successful to me and are people I want to emulate. Working with a limited color palette is important in screen-printing and other print matter, and she these few colors very well. Also I absolutely love her haircut and I’m a sucker for pink!

by Daniela Uhlig

by Daniela Uhlig

Two of my favorite colors, pink & blue, are a winning combination in any painting I see. The duality here between these two girls is intriguing. Evil versus good, hot versus cold? Despite the two very different colors, Daniela’s achieved a comfortable balance in this image.

by Daniela Uhlig

by Daniela Uhlig

This image is one of the most beautifully rendered I’ve seen from Daniela so far. I especially like the detailing on this girl’s dread locks. Everything from the freckles on her face to her jeweled necklace are stunningly realistic. She looks like she’s about to say something, but what?

Make sure to check out her website (obviously NSFW) for more of her work. I had a hard time choosing just five images to post here since all of her paintings are striking. Daniela paints not only beautiful women, but women that are more than simply bodies. Everything from their facial expressions to their backdrops contribute to a new world in each painting, somewhere beautiful and mysterious that begs a closer look.

The Digital Brush Strokes of Paolo Cammeli

More and more I’m intrigued by the possibilities and opportunities that digital art brings. I love drawing and painting more than I can say, but since Tim mentioned buying an Intuos tablet for photo-editting I’ve started considering what I could do with a tablet in Photoshop.

Paolo Cammeli paints digitally in a style of oils and watercolors combined, colors that are vibrant and bloom together like water.

what else do you bring me by Paolo Cammeli

what else do you bring me by Paolo Cammeli

The skin tones in our subject above are glowing and rich, full of detail. The umbrella and blossoms are painted softer to help draw our focus to the beautiful work done on the lighting and shading of her skin. Her expression, playful and curious, is really beautiful, more interesting then a lot of the pout-y fashion model faces I see around (ones that I’m definitely guilty of drawing/painting). Her frame and hairstyle remind me a bit of 50’s pinups.

waiting by Paolo Cammeli

waiting by Paolo Cammeli

There are many ways to tackle painting fur, and Paolo has chosen a sort of cross-hatching brush technique which looks beautiful. Her understanding of lighting and shadows is showcased here again in the fur, a beautiful rich transition in white fur using golden light and cooler shadows. The girl’s robes and head piece caught my eye, the fur on her shoulders and the owl/horns on the headdress which makes me think of gypsy tattoos.

fairy silhouette by Paolo Cammeli

fairy silhouette by Paolo Cammeli

This is a speed-painting by Paolo, only taking roughly 30 minutes to do. I love how much she can convey with flat colors. Layers of transparent blossoms over-top each other give this piece a watercolor-feel to it. Paolo has a great understanding of color and always manages to make the colors in her work pop without being garish.

New Rome by Paolo Cammeli

New Rome by Paolo Cammeli

She’s good at cityscapes as well! Cities frighten me almost as much as landscapes because of the shear amount of detail and measurements required to make them look realistic. They also seem incredible boring and sterile to me, the opposite of what I see above. A city painted in dreamy sunset colors with immense detail, from greenery to reflections in huge windows, makes me want to explore this world and learn more about it.

My first day of actual class ie non-orientation activities is tomorrow: drawing in the morning, paint/print studio in the afternoon! Though I know we’ll be starting with basics (likely fruit and vases) I look forward to practicing drawing in more areas that I’m currently uncomfortable with, so I can create rich portraits and lifelike backgrounds like Paolo does.

Wish me luck on my first day of ~art school~! Excited doesn’t even begin to describe it!

The Candy Girls of W Magazine (Korea)

It started with me seeing colorful fashion photography that immediately caught my eye and inspired me. Back in January I bought a huge (24″ x 36″) canvas with no project in mind, and it wasn’t until April that I began laying down the first sketch. Now, I’ve finally finished the most ambitious painting I’ve done to date! VOILA!

Candy Girls from W Korea by Jess Lingley

Candy Girls from W Korea by Jess Lingley, oils on 24″ x 36″ stretched canvas

I learned so much through the process of this painting along every step of the way. When sketching, don’t use pencil that’s too dark. When working on the under-painting, be careful to keep layers transparent and thin so there won’t be ridges of paint left over. Give yourself a break every half an hour or so to stretch or your back will hate you. If you’re stuck on something, sleep on it. The list goes on and on.

Throughout the painting, to help keep myself on track, I made lists of things left to do or things I needed to fix. As I finished those things and crossed them off the list, I could see how much progress I was making. I could have spent forever fixing things and trying to make them perfect; this painting is riddled with imperfections, but the point of this painting was not hyper-realism. In fact, the differences and imperfections are what help make the painting mine (as much as a painting studied from a photograph can be). I wanted to paint something huge, something colorful, something where I could learn more about skin tones, anatomy and fabrics. I wanted to challenge myself.

This painting felt like a “final project” in a lot of ways. I spent the past few years studying and preparing a portfolio to get into art school (first day is tomorrow!) and this is the culmination of all the self-discipline and things I taught myself. My favorite parts to work on were the faces and background fabrics, and the parts I like least were the hands and the dress in the middle.

With this painting now hanging in our living room and off my easel, I feel like I can go to school with a (mostly) clean slate.

Happy Labour Day!

Feeling Better After a Restful Week

Hawaiian Punch at Jack Astor's

Hawaiian Punch at Jack Astor’s

We had some family visit us this week (my dad and my bro-in-law), and having the company was wonderful! It allowed me to break the monotony of my regular routine which has been, for the past few weeks: get up, read blogs, coffee, read blogs, stream hgtv, take nap, and maybe some chores in between. Being able to talk to people (besides my husband of course) and go out for some fun really helped me feel better about myself and get distracted from the creative block I’ve been having. A few nice meals and some shopping later, I jumped back into painting with great results!

But first, I helped my husband Tim out with a photo-shoot for his brother & girlfriend. They make a lovely couple and were tons of fun to hang around with. I missed them the minute they left. 😦

photography by Tim Lingley

photography by Tim Lingley

The shoot ended up being a lot of fun, and Tim got some amazing shots out of it. It’s days like these where I can really appreciate that he’s into photography; with both of us being creative, we can inspire each other when we’re feeling low.

Last night I started a project that was sort of the opposite of the models painting: something simple that I could throw together without a lot of detail or planning ahead, with bright blocks of color and thick black lines. As a bonus it became a project for the small triptych canvases I bought a year or so back. The designs are penciled on the canvas and I’ve started in on the color on one, but I’m not sure I’ll be able to finish it before starting school next week: that’s okay. It’ll be something I can turn to when I’m tired of studying.

sneak peak of triptych project

sneak peak of triptych project

And now to show that I’ve officially gotten through my creative block! My models painting is turned away no more!

peak at the models painting

peak at the models painting

I’m not posting the whole thing because it’s really close to being done. I got up this morning and had a really good solid few hours of painting on it. There wasn’t any swearing and on the whole it was a positive experience! The week of rest and company gave me a bit of perspective and reminded me why I began this whole mess of moving my life out of province in the first place (art is my passion!). I really enjoyed my painting time today and look forward to more of it over the next few days. With any luck, I’ll be showing off the finished painting sometime on Monday.

Which leads me to the posting schedule. I’ve been doing Mon-Wed-Fri for awhile now, but because I start at NSCAD soon (Tuesday is orientation!) I can’t promise that I’ll be able to keep it up. Between school and an editing-gig on the side, I’ll be very busy for awhile. As much as I love posting about interior design, fashion, and artists I admire, the nature of this blog may change over the next little while.

Fear not! I at least intend to keep it updated with photos of whatever I’m working on, whether it’s sketches, paintings, or even sculpture work. There’s a lot of change on the horizon for me, good change, for a change! I am so ready to start at NSCAD, meet other artists and push the boundaries! Cheers!

palette and new art-school-pants

palette and new art-school-pants