Finished My First Semester!

Last Wednesday was my official last day of classes! I’m so relieved that I have some time off to recuperate and enjoy the holidays, but I enjoyed myself immensely and can’t wait to see what semester #2 has in store for me!

These last few months have gone by fairly quickly, but I had a lot of work to push through in that time. I’ve got almost more material from my first semester than I had putting my art school portfolio together. Drawings, paintings, prints, writing papers… I’ve been very busy! The great thing about the subject matter at school is that it all ties together. I used an idea from a computer project in my final drawing project, and used illustration skills in a computer project, for example.

It would take forever to describe each and every piece I did, so I’ll post a few of my favorites over the next few weeks. I recently updated my deviantart page with some new art while applying for a scholarship, so here are a few from there:


Self-Portrait 2012
by ~soulexposed on deviantART


Gouache Color Study by ~soulexposed on deviantART


Linocut Sugar Skull by ~soulexposed on deviantART

I haven’t had a lot of time to collect outside material for this blog, and I’m just now catching up on my Google Reader, tumblr and pinterest. Between that and some upcoming personal projects, I’ll have plenty to do over the break! Anyway, I wanted to share this Jen Mann painting video I came across on tumblr yesterday.

Jen Mann- Speed Painting from Wolf & Sparrow on Vimeo.

She’s using my favorite colors, pink & blue, so naturally I’m in love with this piece! She paints with her work flat on the wall, using a photo reference, with oils. It’s very interesting to see how small she works right off the bat, rather than putting down blocks of colors and working over top of them. She blends each section of the face beautifully. Also worth noting is that she paints in a very planned-out way, from the top left corner to the bottom right. It was very educational and inspiring watching this painting come together.

I think that’s enough for now. Stay tuned, as I hope to update several times a week while I’m on break, and maybe even stockpile some posts for when I’m back in school in January.

Cheers! 😀

Still Lifes & Perspective Drawing

That one busy week quickly turned into two! Most of my nights have been occupied with homework until quite recently. I’ve got a bit of a break for the Thanksgiving weekend, and by that I mean I have less homework than normal. It’s worth pointing out that this is not a complaint! If I’m going to put my energy into something, art is better than almost anything else I can think of. It’s been exhausting trying to complete all my work on time and to a level I feel good about, but so so rewarding.

So far my drawing class has been the most challenging because it’s so technical, but I think I’m getting a lot out of it because I have to work harder at it. On Thursday I got some of the work back that I’ve done over the past few weeks, so I’m going to share my “greatest hits” since there is a pile of work to go through (at least 15 drawings in all).

2 1/2 Hour Still Life by Jess Lingley

2 1/2 Hour Still Life by Jess Lingley

This is one of the pieces from my first homework assignment. I was given roughly 2 and a half hours to do it, and was very careful about shading and blending the graphite to look smooth. The point of the assignment was for us to pay attention to how we use our time, which would set the tone for the rest of the semester. I’m still very bad at judging how long something will take, which has led to most of my late nights. I’m just now starting to get wise and start things really early. If this drawing looks a little warped, it’s because I used fixative (ie hair spray lol) on the paper to set the graphite so it wouldn’t smudge as much. After using nicer Mayfair paper, the drawbacks of sketchbook paper are becoming more clear to me.

Contour Drawing of Toys by Jess Lingley

Contour Drawing of Toys by Jess Lingley

We weren’t allowed to use any shading in this assignment and had to fill the frame (19″ x 19″ in this case) the best we could. I’ve started becoming more aware of planes and space in my drawings, using dark lines to bring objects forward and lighter lines to push them back. I find myself using a lot more of the pencils in my case (6F-6B range) than I’ve used before. It gives the drawings dimension and depth. I knew as soon as I saw the description that I wanted to use toys from my studio in the drawing, which ended up being a lot of fun.

Charcoal Still Life by Jess Lingley

Charcoal Still Life by Jess Lingley

I just completed this one last Thursday in class. We started by filling the sheet with charcoal and using erasers to sculpt out the shapes, darkening with charcoal and lightening with chalk as needed. I really like this method of working and will go back to it again. I did chalk/charcoal exercises in middle school as well, and really liked that you were able to shade as well as lighten, instead of just simply shading on white paper. My prof said that as soon as he set up the skull, he knew I’d be drawing it. Not sure what to make of that… 🙂

sneak peak at perspective assignment

sneak peak at perspective assignment

Here’s a sneak peak at what I’ll be working on over the rest of this weekend: the dreaded perspective assignment! My heart sank a bit when we got the original assignment last week, as I have little experience with perspective and was never very good at making the rules work for me. I could get the lines down and draw the shapes okay, but once I tried making them into believable structures they looked like rectangles with doors and windows in strange places, hardly believable.

I started the assignment 6 different times in my sketchbook before settling on a nice one-point-perspective backdrop. There was a lot of frustration in getting things going, but I was able to realize something very important about why perspective is so difficult for me. It’s not the rules; I’m familiar with them and I’m able to get my horizon line and vanishing points in, no problem. It’s not difficult to add shapes as placeholders for buildings, either. It’s when I go to put detail in them that things get all screwy. My sense of scale isn’t great and for all the houses I’ve seen, when trying to draw one, my brain simply empties.

The solution to that is to study and draw as many houses/offices as I can until I get more comfortable with them. After I got the building blocks completed for the above drawing I started researching what kind of buildings I wanted to populate my town with and carefully began adding windows, doors and details. I can honestly say that as of now, I’m having fun with it! I’ve got this whole town at my disposal and can add as many people, cats and signs as I want. Having gotten over the fear of not being able to draw a city, I’m ready to put some imagination and life into it.

I’m not sure how my post schedule is going to hold up over the next few weeks, as I’ve got more projects looming on the horizon. I’m also thinking that my content may become more art-related (as opposed to design) since that’s where I’m more immersed right now, but nothing is for sure. I do want to keep this blog up, because it’s important for me to have a voice outside of studies.

In the mean time, have a happy Thanksgiving weekend everyone! This year I’m thankful for the chance to finally realize my passions and pursue art school (on top of being thankful for the wonderful friends and family I have of course). It’s been amazing so far and every week brings new challenges. It’s been a long while since I’ve felt this good about where I am in my life. Cheers!

COPIC sunset and Time-Lapse Watercolors

This week I decided to tackle the sky in my Guidance Owl illustration. I knew I wanted a sunset/dusk type sky with lots of intense color. Lighting in this piece is key; I’ve kept it in mind when coloring every single part of it, wanting the sun to touch everything. After studying some pictures of sunsets all over the world, in cloudy skies and skies devoid of even stars, I picked some colors and jumped right in (with the help of Mogwai’s new album, which turned out to be amazing coloring music).

Guidance Owl -in progress-

Guidance Owl -in progress-

Guidance Owl close-up of Sky

Guidance Owl close-up of Sky

The feeling of taking a risk and coming out on the other side with something I’m happy with, that feeling is one of the things I live for in art. Though the cloud shapes are kind of funky, they’re vibrant and flowing and moody. I’m ~very~ happy with them… so much so that for the first time, I’m considering studying some landscapes using my markers to get a better feel for environments like this.

One of my colleagues who became a good friend of mine over the past few years is leaving work. For a gift to her, I got a print done of my cherry blossom drawing from last year. Here are the two compared.

Cherry Blossom Landscape original and print

Cherry Blossom Landscape original and print

The print is slightly more saturated and dark compared to the original but I feel that enhances it a bit. She seemed pleased by it, so I’m happy too.

To round off this Friday afternoon post, here are some time-lapse art videos that I enjoyed.  The first and second videos belong to Amanda Mocci, who combines the fine detail work of illustration and pencil with bold bright colors achieved through use of gouache. She’s recording several time-lapse videos of her artwork, shown below. Watching other artists is such a great learning experience. With Amanda, it looks like she keeps a blank piece of paper under her hand, when using pencil, so that she doesn’t smug the work all to pieces. With the amount of pencil and detail she uses this makes sense and is something I’ll definitely be trying out for myself.

DARK WINGS – A portrait by Amanda Mocci from Amanda Mocci on Vimeo.

REVIVAL – A Process Film By Amanda Mocci from Amanda Mocci on Vimeo.

Gabrielle Rose combines ink-based illustration with water-colors. She seems to have the wet-on-wet technique of painting down pat, to a point where she can control exactly where the paint will travel when she tilts the page. It’s beautiful and fascinating to watch. She’s able to blend contrasting colors masterfully.

Leaky Eyes Time Lapse from draw Gabby draw! on Vimeo.

Sketches Galore!

Yesterday afternoon I went through the sketchbooks I used over the summer and photographed everything I’ve been working on, from portraits to planning to gesture drawing. It was a confidence booster to see it all together. I’ve certainly done a lot of work this year and it looks like I’m improving. 🙂

Earlier in the spring I took a drawing course that I didn’t really care much for, but it gave me an opportunity to draw a few portraits and play around with charcoal and conte.

Pots and pans

Pots and pans by Jess Lingley

Charcoal is a fun medium to work with but is it ever messy! I recommend wearing dark clothes or rags when working with it because it ends up everywhere. Whenever I’m around it, somehow it always ends up on my face. It’s very blendable though and can create some very realistic drawings if you’re careful with it. Because of the way I draw, it mostly ends up on the sides of my hands, smudged across the page.

Portrait of girl from class

Portrait of girl from class by Jess Lingley

I really like doing larger gestures (roughly 20″ x 24″) because they have a lot of character. With this portrait, I started out drawing her profile quite large and decided I wanted to capture more of her, so I started over again right on top of it. You can still see that face profile, faintly. Doing gesture drawings is very relaxing. A messy line is completely forgotten over other lines and I sort of “carve out” the figure, all while getting charcoal all over myself.

Glam

Glam by Jess Lingley

None of these gestures usually take very long. I don’t like to take them for more than 20 minutes, otherwise I end up with too many marks on the page and I get fiddly with details, which is not the point of this exercise. This one was very quick and dirty but it has some charm to it. Love the sun glasses.

Messy Bed

Messy Bed by Jess Lingley

During the summer, if I was strapped for time or feeling frustrated I would do a quick sketch of my surroundings to try and work through the art block. As with the gestures, these were more meant to relax my muscles and get me more in the mood to draw than to be a serious study. The more often I do these, the quicker I warm up and the more detail I’m able to take in. There are so many things to draw all around us every day!

After I finished going through my sketchbooks last night I got started on another oil painting, this time on masonite: a study of lines, shapes and typography. I’ve already decided on the title: “Assessing Your Personality”. Tim pitched the idea of painting a pile of books that explain what’s going on in his head right now; he’s trying to balance electrical engineering, photography, guitar and cooking and believe me, he’s doing a great job. Here’s the under painting all ready for some color!

Under painting: on Twitpic

My last watercolor class and figure drawing studio are this week, so my next post (after Wednesday’s inspiration post) with be a wrap-up complete with photos. Hold onto your hats because I will finally be posting some nudes!